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There were also lots of challenges dealing with the weather, temperature being a major factor, the right location regarding privacy, etc.

The story line behind this series of images was Naked Fashion, inspired by treasure from the sea washed up on the beach. The treasure was a combination of the beautiful girl with connotations of being a mermaid or exotic beach comber, and the jewelry designs inspired by the sea, all made from real coral and shells. Photographer: Bruce Smith. Like most, if not all of my shoots, the right model was essential in achieving the right look and feeling in the images. I choose my models very carefully to suit the Solid model of nudes. For this shoot I cast Katy McGee, the model in the main image above and featured in the some of the other images in this article.

I shot Katy before, and she had experience shooting nudes. There are things you need to clarify when casting for such a sensitive genre of photography. When we say nude, how nude? Full nude? Any frontal shots? Implied nude?

Topless nude? Nude nude? Not showing anything regarding breasts or private Solid model of nudes When casting for this project I made it very clear that the images needed the model to be fully nude. This meant for the image to work the model would not always be able to cover or hide parts of her body, but there were not going to be any explicit shots.

A model felling uncomfortable on the shoot because he or she was not informed of the level of nudity required would ruin the feeling and the look of freedom required in the images. A body can look fantastic in pictures or in real life, but when photographed, especially nude, there are some very obvious difficulties to overcome depending on angles, amounts of body fat, level of muscle tone, etc. Bodies come in all sizes and shapes, from curvy to slim, from soft untoned to toned or very toned and athletic.

This has to be kept in mind at every level while shooting, so as to keep the shoot and the finished images as they were intended to be. Even the fine art nude can be misconstrued as pornography by some narrow minded people. This is a very sensitive area. The line between these types of images is very fine.

To portray a story? What is the story and the intention? To express fantasy? What kind of fantasy? I prefer to depict a sensual story rather than a sexual story. What is the difference? A simple scale: nude images that appeal to a woman; nudes image that appeal to both men and woman; nude images that appeal to just men. They all serve a different purpose. I chose to book this seven day trip on a coastal yacht see video based at Bodrum harbor in Turkey for a couple of reasons.

First, a good friend of mine owns Solid model of nudes yacht, which is a fantastic Solid model of nudes hotel as well as a means to access great private locations around the coast. Second, my friend spent a lot of time there exploring and had many images of location options for to shoot that were aesthetically good for the story behind the images as well as private.

So, we could shoot undisturbed and have the yacht to use as a floating base wherever we wanted to shoot. These involve teams of up to 15 people as well as photographic kit, and at times hundreds of garments, cased and shipped across the world by freight weeks before a shooting team sets off.

Add in all the dramas that go with traveling to foreign countries around the world, like some very remote locations in places like Alaska, Thailand, Solid model of nudes, Morocco and Scotland. People become like children when they travel. You have to prepare for any photographic job that includes traveling anywhere, not just locations outside the country you live in.

Booking and confirming dates with the team members, stylist, muah and models is Videos de chicas porno. It happens, I know from experience.

This is a very good reason to use tried and tested people you can rely on percent. Booking tickets, coordinating your team and their travel arrangements, especially if people are traveling separately and on different dates, must be handles with care and attention.

The photographer is the captain of the ship. If it sinks, he or she goes down with it. Once everyone arrived at the location, coming from several different places at different times, we familiarized ourselves with our home for the next 7 days, allocating cabins, etc. On day two we spent a few hours talking through what shooting nudes on location is all about.

We did some research into shooting nudes, and looked at various options for shooting and how to approach the techniques with the end results in mind. During this trip we planned to shoot for 3 days, but the weather, even though forecast Solid model of nudes be perfect, was a disaster. That meant many hours sitting out the rain, moored off beaches waiting for breaks in the weather.

Luckily for us we managed to get a few good hours of half decent weather over two of the days, and maybe 2 hours on the third day. After 20 minutes sailing, we came across rocky beaches with a jetty to moor the yacht. We set off to check out the access to the areas around the beach for shooting. It was perfect. I took lots of reference pictures of the area, searching around for good spots that would suit the images I had in mind, paying special attention to texture and shapes and color Solid model of nudes reference imageseven though my finished images were to be black and Solid model of nudes. There we so many fabulous background possibilities along the yard stretch of the beach.

The decision was made that tomorrow we would shoot here, so we fixed the mooring and settled in for the night to be up early and catch best light. Now to check the weather reports for the next day. What times of the day is high tide? Where the sun will be at what Solid model of nudes of day?

This can be checked using a compass, remembering that the sun is lower in the sky early and late in the year. You need to know what footwear people need Solid model of nudes have, if the route to your location is dangerous to bare feet or badly shod Solid model of nudes members.

On this trip, the stylist slipped on a wet rock and badly scratched his legs. To achieve this, when shooting I shot all of my images either in the shade or I used diffusion screens to block out the direct sunlight, reflecting some controlled light back in as and when I needed it. When the sun was out that is. For most of the time, the sky was overcast, giving a lovely Solid model of nudes soft box type of light, which was perfect for what I wanted to achieve.

See reference image above from a previous shoot I did in Australia. The sun was still quite low in the sky, creating large shadow areas to shoot in behind the rocks when I took this shot at about 10 am. For the rest of the images shot on this day I used either the shadow areas or put up diffusion screens to block out any direct sunlight, at times blocking areas behind my model with negative light reflectors to keep the lighting technique for my shoot constant throughout the day.

The image was shot on a Nikon D2H, with a 24 to 70mm Lf2. With the image processed in camera raw, I assess what is needed to be done, apart from the initial exposure and contrast. With an image such as the image Solid model of nudes, which is the un-retouched, processed raw file, as you can see, it is softly lit with good detail in the shadows and highlights. This is due to the soft Solid model of nudes conditions, keeping the brightness range of the scene between high light and Solid model of nudes, well within the contrast range of the DSLR digital chip, and being not quite as saturated which is Solid model of nudes a concern as I am planning to desaturate and add color tints in post-production.

To make adjustments to the image to achieve the final Solid model of nudes I want, working on the body and the background separately, I will:. See screen grab — desaturation background layer — below. Then I increase the contrast using image adjust, curves, sliding the contrast control until I am happy with the overall contrast of the image.

See screen grab — curves background layer — below. I want the lighter markings on the rocks to really stand out. To bring them out I use image adjust, selective color. In the drop down menu I chose white, then moved the slider on the blacks to the left far enough to lift just the whites of the rocks without blocking them out.

I then uses image adjust, curves to further increase the overall contrast, making sure to keep as much detail in the rocks as possible, still keeping the image nice and moody. With the magnetic select tool, I carefully selected around the model, ready to move over onto the background layer I adjusted above. The selection of this image was quite straight forward.

There are instructions on how to Solid model of nudes the selection using the mask mode, the eraser and paint brushes in the previous article. To move the layer for the model, click the move tool top right on the tools menuthen drag the selected area of the image over onto the background image.

Make sure the layers are in register. See screen grab — move selection body layer — bellow. Follow the desaturation process as above.

For this image I left a little color in to create interest and to separate the model and background. See screen grab — desaturation body layer — below Select image adjust, hue and saturation, and desaturate by moving the saturation slider to Solid model of nudes left. I wanted to create some interest with colors, to give the image the multi-color toned look of wet process tinting that used to be done with chemical metals in the darkroom processes.

To add a solid color layer, choose new fill layer, solid color, and click OK. Your image will become a solid color. On the color picker box that opens choose a color from the chart.

The slide color covering your image will change to the chosen color. See screen grab — adding solid color layer — below. When using a solid color layer there are many options to choose from for the softness and hardness and many other options.

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